In the vibrant and historically rich alleys of Old Mosul, Iraq’s shoemaking industry is experiencing a remarkable revival after years of turmoil. Once a flourishing craft with deep roots in the region, shoemaking in Iraq, known as al-qandarjiya, has been revitalized by artisans like Saad Abdul Aal, a 58-year-old master shoemaker whose dedication reflects both a personal passion and a broader cultural heritage.
The tradition of shoemaking flourished during the Abbasid Caliphate, a period when Baghdad emerged as a global center for trade and cultural exchange. Long before the challenges of conflict, the bustling streets of Baghdad were home to over 250 factories, while Mosul hosted more than 50, with Iraqi-made shoes celebrated for their resilience and aesthetic appeal. The craftsmanship was passed down through generations, ensuring the survival of this vital aspect of Iraqi identity.
Abdul Aal’s journey began more than four decades ago, igniting a lifelong commitment to the art of shoemaking. However, the rise of ISIL in 2014 marked a catastrophic turning point, leading to widespread destruction of workshops and factories. Abdul Aal, like many others, faced devastation as his shop was looted and his equipment destroyed, leaving him without the means to recommence his craft.
Post-war, the number of operational factories in Mosul plummeted to fewer than ten, with thousands of skilled shoemakers finding themselves unemployed, jeopardizing a heritage that had endured for millennia. Yet, with the support of initiatives like the International Organization for Migration’s Enterprise Development Fund-Tameer, hope began to resurface. The program provided essential grants and training, allowing entrepreneurs and returnees to rebuild their livelihoods.
Empowered by this assistance, Abdul Aal was able to purchase new sewing and pressing machines, reopening his workshop and gradually rebuilding his workforce. Today, although he produces around four pairs of shoes a day—less than prior to the war—this output sustains his business, illustrating resilience in the face of adversity.
Abdul Aal remains optimistic about the future of Iraqi craftsmanship. He emphasizes the superiority of locally made shoes, which utilize genuine leather and are synonymous with durability. Despite competition from inexpensive imports, his pride in quality workmanship shines through. The shoes produced in his factory not only mirror the visual appeal of imports but also offer unmatched quality, reinforcing the significance of preserving this vital cultural tradition.
As Old Mosul’s artisans continue to revive their storied legacy, their work stands as a testament to the enduring spirit and craftsmanship of the Iraqi people. Through dedication and support, the future of shoemaking in Iraq looks promising, symbolizing a broader resurgence of cultural pride in a region that has faced numerous challenges.
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